I replaced a bunch of music in that pilot with her music. I went to bed that night, woke up the next morning with this song in my head by Lhasa de Sela - who we ultimately ended up using all over the season and a couple times in the first episode. But something about it wasn’t quite landing for me. It was really cool, and it was all this stuff that we talked about specifically. I watched an early cut of the I Love Dick pilot with Jill. When my mind relaxes, I feel like I come up with some of my favorite choices. The beautiful thing about that show is that sometimes the very first song I suggest lands and stays. I haven’t been waiting to put it in something, but I’ve been pocketing it for the opportunity. Rex song, a flashback to “Operator” by Jim Croce that we used in the first episode of the first season, a Laura Mvula song, Tune-Yards, and I closed with Karen Dalton’s “Something on Your Mind.” I’ve always had a special love affair with that song. It’s the one that I ultimately submitted for the Emmys. With these binge shows, we have the luxury of being able to wait a little longer.ĭo you have a favorite music moment from Transparent?įrom this last season that aired, there’s a whole episode where there’s just a number of placements. I can’t offer any guidance! ( Laughs.) You just have to put it out there and be really patient. It turns out getting Neil Young isn’t that hard if he likes what you’re doing, but all of these other music supervisors have asked me for help with him. So if your request comes right after that window, it doesn’t get to him for three or four weeks. But the way that he looks at his requests, I’m told his manager takes them to him on a monthly basis. The first season of Transparent, when no one really knew about the show, there was a song we really wanted - Neil Young’s “Razor Love.” That took a long time to clear. How long have you been left hanging for approval? Not a bad replacement! I emailed Dylan’s lawyer, and he responded within a few hours in the middle of the night saying, “Yeah, we’re good to go.” But I had to quickly come up with a replacement, which ended up being “Oh, Sister” by Bob Dylan. I don’t want to out the band, in case they’re fans of the show now. I waited and waited and waited for it - and, ultimately, couldn’t get approval for it. There was a stand-alone episode in season one of Transparent where we decided to try a different song over the main title. Sometimes they’ll ask for a clip or a script page, but often they’re familiar enough with a show, like Transparent, where they’re happy to participate.
TRANSPARENT MUSIC PLAYER TUMBLR TV
But I also think TV just doesn’t have the stigma it used to. Record sales not being what they used to be, they’re more reliant on touring and licensing.
TRANSPARENT MUSIC PLAYER TUMBLR LICENSE
Given the state of music, artists are more inclined than ever to license their songs. It doesn’t happen as often as you imagine. He recently spoke with The Hollywood Reporter about his work and how the divergent states of the television and music industries have actually made it easier than ever to court an artist’s approval.Ī decisive point in the I Love Dick pilot comes when Kathryn Hahn’s character can’t secure song rights for her film. Gilbert, one of a slew of professionals finally eligible for an Emmy in the newly created “music supervision” category, has had to play the waiting game on a number of occasions.
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